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Did you know that many of the series , which depicted the Saudi city of Riyadh in the early nineties was completely free of feminization? Series such as «short stories» and «Tash Ma Tash» Bdzoah the first two, the male character, does not represent nor depicts or write and give it only represented the men, just like the development of Saudi theater now. This was the male crude cabin on the drama Riyadh only, and came in response to an individual to the discretion of one of those responsible for the drama production then, and the artists is orally not to use the actors and sufficiency representatives, for reasons known only to it, according to the words of one of the actors producers at that time. When comparing this critical juncture she experienced drama Riyadh twenty years ago, their betterment moment, you will realize the size of the great change that has long-Saudi society and long-consciousness and its relationship to the areas of creativity artistic, but his awareness of the requirements of the natural human life that are not canceled and the presence of women is not overshadowed by the public space. Arts has evolved we have become the presence of women a reality in the TV drama, theater, cinema and configuration, an actress and a writer, director and painter, and no longer can one be excluded, not because the administrator does not want it, but also because the community aware of the development and has become convinced of the art tells the story of life and exclude women from the scene . If you see the soap opera such as «short tales», and I saw his heroes; the cannon and Abdulaziz exchanger and with them, Nasser cane and Abdullah Private Labels, and they are performing Mhahdhm inside the house and circumvent the scenes to persuade him to the presence of the mother, wife, sister, and choose the stories that tolerate this fraud, have only estimate these artists who they passed big challenges and they were able in a short change the reality of drama production in their area years ago, and contributed in raising community awareness of arts and nature inherent in life and dropped her from obsessing circle who lived in the minds of some officials, it became Mslslatna thanks to them that much closer to reality and more logical and convincing. That any exclusion of women actress is killing the credibility of the dramatic work, and infanticide of realism, Suffice it here to quote a similar experience to what she experienced drama Riyadh, namely the conservative channels experience when he entered the field of drama production years ago Bmslslat such as «dust Alahjar» and «bumps» and others, and was completely free of feminization, but it did not last and failed and she died at the beginning of life for the simple reason that the audience even who belongs to inform the governor is not satisfied with this distorted image of reality, which does not exist except for the man; in the house and the street and every place. We can read the failure of attempts to bury the actress in the domestic drama by social, and say it is a promising sign that the community moves forward in consciousness and perception, not a society ignorant of militants, as some distress intellectuals trying filmed. If we add the large number of outputs and scenario writers assets now in Saudi Arabia, short films, plays, we will find that we are a normal society loves arts and deal with it consciously. Riyadh , Saudi Arabia
